Compare/Contrast Essay *NEW AND IMPROVED*

24 01 2008

            The family, friends and community of Jordin Tootoo in “Skating Across the Cultural Gap” and Theresa in “The Kayak” are both supportive and unsupportive towards the realization of these adolescents’ goals against great adversity.

            The community of Jordin Tootoo, the first Inuit to play in the NHL, was initially unsupportive of his hockey dreams, forcing him to hunt caribou, whale and seal before allowing him to enroll in a hockey league. He was fourteen years old before he played on an organized team, an age far older than most other NHLers began playing. When he finally attained status as a player in the NHL, things changed. His friends would watch every game he played, chanting his name as he played for Canada at the world junior championships in Halifax. According to Tootoo’s friend Jackson Lindell, supporters in his hometown of Rankin Inlet held parties “like it was the Super Bowl.” His parents, though they could barely afford it, paid for him to “go to hockey schools in Winnipeg, Alberta and British Columbia.” Despite an initial interference related to cultural priorities, Jordin’s family, friends and community were, for the most part, supportive of his dreams.

            In contrast with the support shown by Jordin Tootoo’s parents, which was helpful in the realization of Jordin’s goals, the parents of Theresa were excessively supportive, in effect hindering Theresa’s acceptance of her disability and abolishing her independence. Even when she felt at her most independent, kayaking in the ocean, her parents would “watch from the shore” to be assured that their child would be safe. Theresa says that “nobody lets [her] grow up” and that her “parents treat [her] like a baby.” When Theresa saves a drowing windsurfer, and feels triumphant that, at last, someone else is the one that needs saving, her parents “run into the water to help” and “take control” away from her. An initial feeling of accomplishment is replaced with a feeling of helplessness. Theresa describes herself as a “beached whale.” Her newfound friend, Jamie (the windsurfer), is supportive of Theresa’s recovery, but, in contrast to her parents, his support actually helps Theresa accept her disability and feel like a regular teenager. She originally saw two images of herself: “the independent woman on water” and “the helpless child on land.” Now, with the help of Jamie’s support, she begins to see herself as a combination of the two.

            There are instances in both stories where the family, friends and community are supportive as well as there are times when they aren’t. But no matter how unsupportive certain elements of Jordin and Theresa’s family, friends and community were, they eventually came out from under those constraints and were supported in their endeavours.





Surprise! essay.

16 01 2008

        Candy Flossington, a well known party-goer in the prestigious Hampton scene, was beginning to notice a distinct lack of plumpness in her 25-year-old lips. They had always been so perky, so full of life. What if she lost her position as head drunk chick in lieu of younger, stupider girls? That could never happen, not if Miss Flossington had anything to say about it.

       That very day, Candy rushed over to Dr. Fitzgerald’s plastic surgery office, screaming “Emergency!” at anyone who would listen. She burst into Dr. Fitzgerald’s office, knocking over several awards and degrees on the way in. She hurriedly informed him of her situation, and his diagnosis was as follows:

       “Now, Candy, you’ve probably come for a few shots of collagen.” Candy nodded apprehensively. “While collagen is a good way to plump up you’re aging lips, I’ve developed a new, more natural looking, way of doing the same thing. We are going to extract some fat cells from your buttox and implant them in you’re lips. Now, how does that sound?”

       “Whatever you say, doc. Anything to enhance my already stunning appearance is A-OK with me!”

       After the quick operation, Candy went off to a few parties, emphasizing her larger lips with exaggerated pouts.

       “Ooh, Candy,” ooed Enrique Consualez, “you’re lips are to die for. I mean, I’d die for them.”

       “Well, duh. I payed $500 for these puppies; they better look damn good!”

       “What is that?” asked Enrique, pointing at Candy’s newly enlarged pair of lips. “Is that a hair?”

       “What?” Candy replied. “Oh. My. God. That bastard.” And with that Candy hopped on her Special Edition Segway and motored on over to Dr. Fitzgerald’s office.

       “What the $%#* were you thinking! Putting you’re own lard in MY LIPS! What are you, some kinda sicko!?”

       “I just thought that if part of me were in someone as beautiful as yourself, well, that part of me would be beautiful, too,” explained the doctor.

       “Oh, that’s so sweet,” Candy said softly. “Unfortunately, you’ve screwed over one too many rich b*tches.” Candy pulled out her pocket-sized pistol. “Prepare to d…ance with the stars!”

       At this, Mario Lopez burst through an open window and exclaimed, “Hola, mi amigos!”

       “Noooooo!!!” screamed Dr. Fitzgerald. “Not another D-list celebrity! I can’t take it anymore! Candy, hand me that gun.”

       “With pleasure.”

       Dr. Fitzgerald held the gun to his head, quivering in his high tops. He grasped the trigger and pulled. Litres of blood splattered the entire room as curious onlookers gasped.

       “I hope the janitor brought extra club soda!” joked Mario.

       The crowd laughed whole heartedly as Mario said, “No, seriously, those stains ain’t neva gonna come out.”





To Kill a Mockingbird – Part 1 of 3

14 01 2008

       “To Kill a Mockingbird” is set in the sleepy Alabama town of Maycomb. It takes place during the Great Depression, a time when farm towns like Maycomb were hit hardest and tension between its residents was great.

       My experience reading this book will undoubtedly be different than most because I have already read it. Even though I know what the outcome of the trial and Boo’s situation will be, I am still thoroughly enjoying “To Kill a Mockingbird.” I experienced a wide range of emotions when reading about Mrs. Dubose, an elderly woman who Jem couldn’t fully appreciate because he only saw her harsh exterior. What Jem didn’t know was that she was losing the battle against a morphine addiction. This was the main reason she acted so coldly towards everyone who was in contact with her. It was sad that Jem couldn’t enjoy spending time with such a courageous woman. Jem’s father, Atticus, said that she was a “great lady” and “the bravest person [he] ever knew.” Atticus wanted Jem to know that courage “isn’t a man with a gun in his hand … it’s when you know you’re licked before you begin but you begin anyway and you see it through no matter what.”    

       Scout and Jem Finch live with their father, Atticus, a successful lawyer with a strong sense of morality and justice. One summer, Charles Baker Harris (Dill), a scrawny, intelligent young boy, comes to Maycomb to stay with his aunt, Miss Rachel. Aside from discussing the absence of his father, Dill is a very talkative boy. Dill, Scout and Jem quickly become good friends and play various games and act out scenes from their favourite picture shows. Dill soon hears of Arthur “Boo” Radley, a seemingly “insane recluse who only comes out of his house at night to watch the residents of Maycomb sleep.” Apparently, Boo got in trouble with the law early in his life and was imprisoned in his house as a punishment. During his sentence, he supposedly stabbed his father with a pair of scissors, a rumour that only fueled the town’s gossip, Miss Stephanie, to develop even more ridiculous stories of hearsay. Dill is fascinated with Boo’s story and becomes hungry with intrigue. The three children attempt to lure Boo out of his house with little success.

       Dill leaves Maycomb to return to his home in Meridien. Scout begins school where her teacher, Miss Caroline, develops an intense dislike for Scout and chastizes her for learning to read. Miss Caroline, a fish out of water, is heckled and teased by Burris Ewell, a young member of the Ewell family, a poor family known for their rudeness and extreme hatred for Negroes.

        One day, while walking home from school, Scout discovers the first of many gifts left in the knothole of the tree outside the Radley place. The gifts include two pieces of chewing gum, 2 “Indian-head” pennies, a ball of twine and a spelling award. Scout and Jem wonder who would have left these items in the tree for them.

        After a grueling year of school, summer begins and Dill returns to Maycomb. The three friends begin right where they left off and plan to sneak into the Radley house. Late at night, when the residents of Maycomb are fast asleep, Dill, Scout and Jem enter the Radley place through a loose shutter and look around. While in observation of a pair of scissors, Scout notices the shadow of a man and the three kids bolt out the door, leaving in their wake the sound of a shotgun going off. They narrowly escape under a fence leading to the school but, unfortunately, Jem’s pants become caught under the fence and he leaves them there. A large group of adults gather in front of the Radley house talking about how Nathan Radley (Boo’s older brother) “shot at some Negro” in his yard. The next day, Jem finds his pants hung neatly over the fence, and notices that someone had tried to mend them with grey thread. He also notices that the knothole in the tree had been filled with cement. Nathan Radley said that he did that because the tree was dead.

        Maycomb experiences its first real winter and, after a light snowfall, Jem and Scout get the day off school. Late at night, Miss Maudie’s house catches on fire and the neighbours come over to help save her furniture. Unfortunately, the house burns to the ground. During all the commotion, someone places a blanket over Scout, who was beginning to get cold. Jem later realizes that Boo had placed the blanket on Scout and that it had also been Boo who had given the presents in the knothole and mended his pants. Evidently, Nathan Radley had filled the knothole with cement in order to prevent Boo from communicating with the outside world.

       At school, Jem nearly gets in a fight with Cecil Jacobs after Cecil proclaims that “Scout Finch’s daddy defends niggers.” Atticus had earlier been asked to defend Tom Robinson, a Negro accused in the rape of a white woman. Atticus says that Tom is “innocent but doomed” because no all-white jury would believe a black man over a white woman. Mrs. Dubose, a nasty old woman who lives down the street from Scout and Jem, says that Atticus is “no better than the niggers and trash he works for.” Jem loses his temper and destroys all of Mrs. Dubose’s camellia bushes. As a punishment, Jem has to go over to her house every day and read to her. Mrs. Dubose dies one month before Jem’s punishment would have been over. Jem learns of Mrs. Dubose’s morphine addiction and how reading to her helped combat her addiction. Before she died, Mrs. Dubose had given a box to her maid for Jem in which lied a single white camellia.

       Harper Lee writes “To Kill a Mockingbird” from Scout’s (Jean-Louise Finch) perspective. Scout writes the story many years after the incidents in the book occurred. It seems that Scout has grown and matured a lot over the years and, as such, her  perspective consists of both thoughtful, analytical comments of an adult and slightly naïve thoughts of a child. For example, she says “the summers were somehow longer and hotter then,” implying that, for a child, the days seem to go on forever and extremes, such as heat, are heightened by the child’s imagination.

      

      





Compare/Contrast Essay

11 01 2008

“The Gift: How One Act of Kindness Changed a Life” and “The Game” both exemplify the element of surprise. However, in “The Gift”, the surprise is life-changing, while in “The Game,” it isn’t.     

In “The Gift,” when the owner of a shirt-making company, Max Freed, offers to pay a poor, young man’s way through university, the man (Monty Hall) is surprised by Max’s generosity. In “The Game”, Eric is startled at the sight of the famous hockey player Johnny Bower’s unexpectedly  aged appearance. He says that Bower’s face “looked like it had been made out of rubber, left out in the sun too long [and] while it was melting someone had come along with a sharp stick and drawn all these lines on it.” Eric expected Johnny Bower to disagree with Eric’s admiration of the Canadien’s goalie, yet on the contrary, Bower accepted Eric’s opinion.  Similarly, Max Freed expects no recognition for his unforeseen generosity, even suggesting to the young man not to say from whom he received the large sum of money. The ending of “The Gift” is surprising to the reader when the author reveals that he, himself, is the butcher’s son. There is no such revelation to the reader in “The Game.”

While like its title would elude, the surprise generosity in “The Gift: How One Act of Kindness Changed a Life” is life-changing. On the contrary, while appearing colossal to little Eric, the surprises in “The Game” have very little impact upon the child’s life.





Sonnet Fun

19 11 2007

Day at the Circus

by Alan Bigelow and Kellie Hogan 

What a day when papa Joe tears my heart

A band-aid in the form of circus fun

Un jeune homme dit: “Je la vois sur la carte!”

Hoping clowns will replace his father’s gun 

The ring master bows, lifting his hat high

Royal Bengels soaring through  flaming hoops

Bring smile to my lips and tear to my eye

Silly clown slips on banana peel: oops!

Father looks at me, concern on his face

Asks if monkeys in tutus make me laugh

My sadness is gone, a smile in its place

“You beat me too much”, I pull out a graph

Elephant’s turbulent strut , so to speak,

Shakes a single shining tear from my cheek





Comparison/Contrast Essay (ready for marking)

30 10 2007

        The portrayals of men versus women in popular culture is vastly different. Something considered socially acceptable for one gender may be deemed sexist for the other. Though many areas demonstrate this, two exemplify this contrast best: news shows and television sitcoms.

        When watching a news program, you begin to notice more than subtle differences between the male and female anchors. The male broadcasters are portrayed as well-spoken, intelligent, and experienced. Apparently, being fit, handsome and young were not requirements of their position. While speaking intelligently, a monotonous drone often accompanies their well thought out phrases. Conversely, females are almost always young, attractive and thin. They speak charismatically, but are often shunned when the topic switches to Friday night football. Their topics usually include community goings-on and home issues, while the males speak of hard hitting news, of Afghanistan and political conspiracies. It appears that viewers prefer to look at and admire the female’s beauty, while the male’s experience and intelligence are valued more than his attractiveness.

       Sitcoms portray men and women in a similar way to that of news shows, while differing in some aspects as well. Male viewers like to relate to the main character, while females prefer to idolize the feminine ideal. An example that best demonstrates this is The King of Queens, where, in my opinion, the main character, Doug Heffernan, is a fat slob, whose obnoxious personality irks me to no end. He is the average Joe: he has a dead-end job and is a complete ignoramous. This, apparently, is a recurring trend in most male sitcom actors, showing its stereotypical face in hit comedies like Family Guy, The Simpsons and Corner Gas. Doug’s wife, Carrie, is obnoxious as well (her nasally voice is immensely irritating); however, her appearance is much less hard on the eyes, and she is quite a bit more level headed than her male counterpart. In a way, her beauty and common sense balance out Doug’s stupidity and unattractiveness.

       There is, and always will be, pressure on males and females to act a certain way and fit certain stereotypes. Regrettably, these stereotypes are reinforced by popular culture, as displayed by news casts and TV sitcoms, thus aggravating artificial gender differences.  If we truly want to form a stronger and less cliched society, we must strive to break these social barriers.





Confessions of a Backup Dancer

29 10 2007

        Tucker Shaw’s Confessions of a Backup Dancer is the diary of Kelly Kimball, an aspiring dancer who is offered a job dancing for the current queen of pop, Darcy Barnes. Eileen Wang, the overly eccentric manager for the It’s Darcy! tour, calls Kelly early on, offering her this summer job, which pays over $40,000! Being from a troubled family with monetary issues, Kelly gratefully accepts the gig. When Kelly reaches the dance studio, she realizes that everyone has given up their real names for eclectic pseudonyms. It seems that, while a hot trend nowadays is “REALNESS”, keeping your real name is not. She assumes the nickname “K.K.” and begins to learn intricate dance routines. She quickly learns that what people say about how backup dancers are super tight is completely untrue. The other dancers “straight up ignored me”, Kelly writes. Darla, Darcy’s over-bearing mom-ager, develops an immediate dislike for Kelly, telling her that a low-carb Powerbar would be more appropriate for her “fitness level”. That’s right, this size 0 should apparently add being “fat” to her list of problems. Kelly had expected Darcy to be diva-like and adorned with various hangers-on. She soon learns that Darcy’s outward physical appearance doesn’t replicate her personality. She seems like a child in a 17-year-old’s starved, bleach-blond body. That soon changes when she goes on a joy ride and smokes some pot. Kelly now learns that Darcy has multiple personalities and, by the end of her diary, she writes about at least five. Kelly’s brother, Evan, recently got out of Juvenile Hall and is having trouble adjusting to regular life. Kelly takes him under her wing and saves some of her earnings for Evan’s tuition at an exclusive, outdoor-oriented private school. At an after party in New York City, Darcy gets hammered after downing 4 Slippery Nipples. Kelly carries her to the hotel, where Darcy falls on the floor, curls up into the fetal position and vomits. The next day, Darla blames Kelly for the entire incident, citing how Kelly “let” this happen. Kelly is fired and flies back to her hometown of San Diego. Soon after, she is offered a job dancing for Pashmina, Darcy’s arch rival in the pop queen arena. At a huge summer blow-out concert in New York, Pashmina and Darcy are both slated to perform. The problem is that neither diva will give up performing first. Darcy agrees to let Pashmina perform first, as long as she can “have K.K.”. Darcy and Kelly sing a duet that they had earlier written, much to the dismay and intense anger of Darla. Kelly’s estranged mother comes to see her after the show, hugging her and telling her how beautiful she looks. They all return to San Diego to work things out and, as Kelly says, “[they]’ve got a lot to do”.

        I must, grudgingly, reveal that I enjoyed reading this book. Despite the lack of depth and proper writing structure, I did like reading about what “pop divas are like AFTER the cameras stop rolling!” I know, the write up on the back was really cheesy, but it seems that I will have to add this to my long list of guilty pleasures. Nevertheless, I felt that I could relate to Kelly in a number of ways. I am an EXTREMELY good dancer, if I say so myself, and have pictured myself making it big in Hollywood many a time. It is in this way that I also differ from Kelly. She seemed reluctant at first to accept her newfound fame, where I would NEVER hesitate to become some flavour of the week. Does that make me shallow? Anyways, Kelly’s reluctance portrays her down-to-earth and “real” personality.

        The author, Tucker Shaw, is a relatively unknown writer. Despite hermit-like anonymity, Shaw is able to depict Kelly’s rawness as a writer, spelling mistakes and all. At the beginning of every chapter, Kelly would write four things in bold: her outfit, hair, mood, and fortune. Her hair would usually be the most ridiculed, mostly for the intense damage due to numerous colourings. Verbal irony is found in the sexual innuendos involving Darcy and her assorted flings. There is a sense of conflict between Darcy and herself. She really wants to be a dancer and be noticed but, at the same time, she’s hesitant to leave everything she has ever known behind.





The Curious Incident of the Dog in the Night-Time

22 10 2007

        The Curious Incident of the Dog in the Night-Time by Mark Haddon recounts the tale of Christopher Boone, an autistic 15-year-old who discovers Mrs. Shears’s dog, Wellington, lying lifelessly with a pitchfork embedded in its stomach. Being an aspiring detective and advocate for the punishment of wrongful deeds, Christopher embarks on a search for the murderer. Unfortunately, his search is cut short when he punches a police officer and lands in jail, hereby demonstrating his lack of social awareness. His single father asks the police officer to give Christopher some slack and he is released, free to continue with the investigation. He decides to write a book detailing his findings, naming it The Curious Incident of the Dog in the Night-Time. Through some careful detective work, Christopher later finds some hidden letters written to him from his mother. He realises that what his father had earlier said (that his mother had died of a heart attack) was entirely untrue. Confronted with so much information and stimuli, he curls up in a ball on his bed, vomits, and groans for several hours until his father comes home. His father, Ed, confesses that he covered up the fact that Christopher’s mother had moved to London with Mr. Shears, a man with whom she had had an affair. He also admits to killing Wellington when in a fight with Mrs. Shears. Christopher is shocked and no longer feels safe with his father. Consequently, he sneaks out of the house at night and, through a long and confusing journey, finds himself at his mother’s doorstep in London. His mother is overjoyed to see him and takes off work for a few days to spend some time with her son. Unfortunately, Mr. Shears does not welcome Christopher in the same way and, over a conflict involving the newfound family member, his mother moves back to Swindon with Christopher, living in a rented apartment. His mother agrees to let Ed spend some daily time with Christopher. Christopher is still very terrified of his father at this point, and refuses to talk to him. To somehow make up for his behaviour, Ed buys Christopher a Golden Retriever, and tells Christopher that he wants to rebuild his trust slowly, “no matter how long it takes.”

       I really enjoyed reading this book for a number of reasons. Firstly, I could relate to the main character because I, too, think in patterns and have a mathematical brain. For example, I find it hard not to walk in steps not divisible by four. I also like symmetry, and don’t like when things aren’t equal. I also liked reading this book because I could never predict what the outcome would be. The greatest surprise would have to be when Christopher discovered that his mother was, in fact, alive. I was even more surprised when Christopher calmly thought about what to do. He seemed emotionless, not appearing either happy nor betrayed.

        The author, Mark Haddon, succeeded very well in using various literary techniques to portray the characteristics of someone with Asperger syndrome. The first thing that I noticed was that the chapters were prime numbers. Scattered throughout the book are various math and logic puzzles. These two characteristics exemplify Christopher’s extremely mathematical brain, which may, in fact, be heightened due to the fact that he is autistic. Another technique used was the interchanging between a chapter of plot development and a chapter of seemingly irrelevant info on Christopher’s inner life. One moment the reader would be learning about who killed Wellington, and the next Christopher would be explaining why there is no God. Also, whenever Christopher would describe his surroundings, he would consistently use run-on sentences, which would normally be long lists of things that he was observing. And finally, when Christopher tries to save his pet rat, Toby, on the tracks of the London underground, he doesn’t understand how close he came to dying. This is an example of dramatic irony, where the reader, in this case, knew that he was almost killed, and would have been if a stranger hadn’t pulled him off the tracks. At this, Christopher was confronted with two things that he detested:

1. Being touched

2. Strangers 





Music Lyrics – What It’s Like

11 10 2007

Everlast – What It’s Like

We’ve all seen the man at the liquor store beggin’ for your change
The hair on his face is dirty, dreadlocked and full of mange
He ask the man for what he could spare with shame in his eyes
Get a job you fuckin’ slob’s all he replied
[CHORUS]
God forbid you ever had to walk a mile in his shoes
‘Cause then you really might know what it’s like to sing the blues
Then you really might know what it’s like [X4]

Mary got pregnant from a kid named Tom who said he was in love
He said don’t worry about a thing baby doll I’m the man you’ve been dreamin’ of
But three months later he said he won’t date her or return her call
And she sweared god damn if I find that man I’m cuttin’ off his balls
And then she heads for the clinic and she gets some static walkin’ through the doors
They call her a killer, and they call her a sinner, and they call her a whore

[CHORUS]
God forbid you ever had to walk a mile in her shoes
‘Cause then you really might know what it’s like to have to choose
Then you really might know what it’s like [X4]
I’ve seen a rich man beg
I’ve seen a good man sin
I’ve seen a tough man cry
I’ve seen a loser win
And a sad man grin
I heard an honest man lie
I’ve seen the good side of bad
And the down side of up
And everything between
I licked the silver spoon
Drank from the golden cup
Smoked the finest green
I stroked the baddest dimes at least a couple of times
Before I broke their heart
You know where it ends
Yo, it usually depends on where you start

I knew this kid named Max
He used to get fat stacks out on the corner with drugs
He liked to hang out late at night
Liked to get shit faced
And keep pace with thugs
Until late one night there was a big gun fight
Max lost his head
He pulled out his chrome .45
Talked some shit
And wound up dead
Now his wife and his kids are caught in the midst of all of his pain
You know it crumbles that way
At least that’s what they say when you play the game

[CHORUS]
God forbid you ever had to wake up to hear the news
‘Cause then you really might know what it’s like to have to lose
Then you really might know what it’s like [X4]
To have to lose…

http://youtube.com/watch?v=4z9f9Eybv4I





Lenses

10 10 2007

        Leah Silverman’s “Lenses” tells the story of a young surgeon, Corinne, who is asked to replace the vivid eyes of a friend with two round, steel lenses. She finds herself at a crossroads; she must decide whether or not to go through with the operation, risking ruining her friend’s depth and character. As Corinne says, “Her new eyes will not be brown, and they will not shine with her laughter.”

        In our society, the eye is regarded as a gateway to the soul. It represents our truest feelings and desires. But in our world of striving for better, faster and stronger, they consequently must be replaced with something more efficient, something more “perfect”. It is in this attempt for perfection that Corinne realizes that maybe perfection, though it may be achieved, may not always be the right choice. She even prefers the rawness of a black and white photo to one with colour because it makes the scene seem “less real” and “more like an idea.”

        As previously stated, Corinne finds herself given the difficult choice of whether or not to perform the operation. She feels that it would be easier “to carve [her] own heart out of [her] chest” rather than replace her friend’s eyes with cold, emotionless steel. What makes the decision even more difficult is the fact that Grusha, her friend, ignorantly believes that the new eyes will, in fact, be better. But Corinne knows better; she knows that the surgury will rob Grusha of her soul.

        In the end, Corinne feels that there is no other option, and, consequently, performs the surgery. When Grusha asks Corinne how the new eyes look, Corinne is speechless. Instead of telling her friend the truth, Corinne puts a mirror to Grusha’s face, showing her the terrible consequences of society’s thirst for perfection.